Crazy Heart
My first instinct as I sat down to write this review was to make some kind of comment about how late it was in coming. But, going back through my review archives, I noticed that an annoyingly high proportion of my reviews start that way, and reading them one after another, it just sounds whiny and self-indulgent.
This review is starting off much better, I'm sure.
I think I first heard about Crazy Heart in the lead-up to the Golden Globes, when everyone was talking about Jeff Bridges' chances at winning Best Actor. Of course that piqued my interest, since Bridges is one of my favorite living actors. Then he won the Golden Globe, and then the Oscar, and I put it on my Netflix "saved" list and more or less gave up on seeing it in the theater.
It turned out, though, that it was still playing at the independent theater down the street from my parents' house when we went out there to visit them, and Juliette and I were happy enough to take my mom's offer of babysitting. We actually considered just staying in and going to bed early, but my mom was so eager to spend time with Jason and so insistent that we enjoy ourselves that she practically shoved us out the door. I'm glad she did, though. (Thanks, mom.)
Most of what I'd heard and read about Crazy Heart said it was an adequate but not terribly impressive film that was turned into something more by the strength of Bridges' exquisite performance. But I think that it really had two pillars holding it up—not just Jeff Bridges, but also the music.
There was a time in my life that I described my musical tastes as "everything but country and rap." Since then, though, I've found something to connect with in both genres. I'm still not much for the sort of country-pop that seems to be in vogue these days, but some older stuff—Hank Williams, Johnny Cash, Willie Nelson, George Strait—does resonate. The music in Crazy Heart hearkens back to those earlier styles of country music, I think, and works well largely because the songs really mean something in the context of the narrative. It also doesn't hurt that Jeff Bridges is a surprisingly good singer.
Of course, I can't write a review of this movie without talking about the performances, especially Jeff Bridges'. And he was brilliant. But that's not much of a surprise—in my opinion, Bridges is one of the most consistent actors currently working. Maggie Gyllenhaal and Robert Duvall were both also excellent, and Colin Farrell was also surprisingly good.
Still, for all the talk this movie got and continues to get for its performances, what's really stuck with me has been the music. Juliette commented on the way out that she wanted to start listening to country now. I think it very well may come to pass.
Viewed: 2010-03-31 | Released: 2009-12-16 | Score: A-