Inception
It feels a little silly to write a review for a movie that opened almost six weeks ago, especially since I already wrote up a piece about my interpretation of the movie, but, you know, that's where I am these days.
What can I tell you that you don't already know about Inception? Probably not a whole lot, if you're even remotely interested in movies. It is, like many Christopher Nolan films, complex and layered, and rewards looking closely and (I would think) watching it more than once. On one level, it's basically a heist film and even if you view it as just that and nothing more, it's a very good movie. But, as I pointed out in my previous piece, there may be a lot more going on than initially meets the eye.
As far as the performances go, my appreciation of Leonardo DiCaprio continues to increase—a trend that kind of started with Catch Me If You Can but didn't really kick in until The Departed. I do still find his performances a little on the heavy side—he's clearly a guy who takes himself and his profession very seriously—but given the sort of films he does, that's probably appropriate. It was also very nice to see Joseph Gordon-Levitt (who I quite liked in (500) Days of Summer) take on a more adult role, one which he handled expertly. The one who stole the show for me, though, was Tom Hardy in the role of the "forger," Eames. I've only ever seen him before in Star Trek: Nemesis—which was a pretty forgettable movie overall—but here his combination of charm, dry wit, and occasional seriousness came off just perfectly for me.
There's a lot more to talk about with a film like this, of course, but at this point it's kind of yesterday's news. Besides, the best part about a movie like this is the face-to-face discussions with your friends that you have as you're walking out of the theater, so if you haven't had a chance to check it out yet, grab a couple of friends and get to it.
Viewed: 2010-07-25 | Released: 2010-07-16 | Score: A