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Toy Story 3

I heard today that Toy Story 3 recently passed the billion-dollar mark in worldwide box office sales, making it a member of a very exclusive club—only six other films in history have done that. And, despite the fact that the movie is now over two months old, it's still in first-run theaters and still apparently chugging along. My local cineplex still has three showtimes for it.

What with the movie being pretty old at this point, rather than doing a normal review, I'd like to take the opportunity to meld in a topic that I've been thinking about a lot lately: coming to movies after the hype.

Obviously, at this point we're way after the hype for Toy Story 3, but even though I saw the movie almost four weeks ago now, that was also still far enough after the premiere that I couldn't help but be aware of the huge buzz about the film. That's just how it goes for my wife and I now that we're parents; we see movies late, if at all. On the one hand, it's good for us, because we see so few movies nowadays that we want to make sure we get the most out of our time at the theaters. We just can't waste time with the mediocre ones the way we used to.

On the other hand, though, it also means that it's more or less impossible for us to see a movie without being biased. Of course, now that every movie is previewed and reviewed inside and out for months before it debuts, almost nobody actually goes to see a movie without any preconceptions. But back when we saw 50 or 60 movies in a year, we'd see them before most of our friends and before we knew that this movie was a flop or that one was a critical darling or this other one made a trillion dollars. Having all that information ahead of time can't help but influence the way you view a film.

Take Inception, for example. Everyone I know that saw that film came out discussing theories about what was really going on. None of them gave me any of those theories, of course, not wanting to spoil it for me, but just the fact that I knew that they were doing it meant that I watched that movie with an eye toward "figuring it out." Now, I generally do watch movies with a more analytical mindset than the average audience member, but this one had me examining things like themes and cinematography not just from an aesthetic standpoint, but also with the intention of unraveling some sort of secret. I still enjoyed it a lot, mind you, but I can't help but wonder what my reaction would have been had I seen it on opening night.

Similarly, with Toy Story 3, I went in with the knowledge that a huge percentage of my friends (both offline and on social networking sites) had talked about the fact that they cried at the end. So I knew that there was going to be a big emotional moment, and it absolutely changed the way I reacted to the plot and characters—there were several points in the film, for example, where my predictions about what was going to happen next were way off base. Even the fact that I was consciously making predictions in a movie that isn't about "figuring it out" says something.

And this brings me to the "review" portion of this post, because the fact that I knew what everyone else's reaction was, my tendency is to remove myself to a cool, analytical distance from the story and characters, one where I'm more likely to notice how a scene evokes an emotion than to actually experience the emotion for myself. So the fact that I was still hit hard by that emotional payoff and did cry, and that it came in such an unexpected and truly heartwrenching manner, that speaks volumes to the skill and talent of the filmmakers.

That I can still be amazed by what Pixar does, that I've come to the point where I can simultaneously take for granted that their films will be amazing and yet still be profoundly touched by them, that is something wonderful. With every new offering, Pixar keeps managing to bring me back to that place where film is new and exciting, where I remember what it is that keeps me coming back to theaters, and for that I cannot thank them enough.


Viewed: 2010-07-27 | Released: 2010-06-18 | Score: A

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