What would you do if you had your life to live over again? It's the kind of question that everyone has asked himself at one time or another, so it's not surprising that there should be so many stories about it. This one, though not the best of those stories, is nevertheless good. In the very first scene of Replay the main character, Jeff Winston, dies, then wakes up to find himself 25 years in his past. We then follow Winston through several iterations of his life as he continues to die and return to his life. Several of the plot devices are familiar to this sort of story; we see Jeff Winston use his knowledge of the future to change his fortune, we see him become disillusioned as his life continued to repeat. In spots things seem a bit cliché--though I can't honestly say whether these themes would have seemed so when the book was first published in 1985--but Grimwood manages to write some truly poignant scenes. It's by no means a perfect novel, but I found myself quite moved by parts of it.

Started: 10/24/2004 | Finished: 10/25/2004

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In the first chapter of A Widow For One Year, Ruth Cole, a four-year-old child, walks in on her 39-year-old mother having sex with Ruth's father's teenage assistant. It's a shocking scene, but also a funny and revealing scene. It's a very John Irving type of scene. Irving has such an interesting style. He telegraphs everything; indeed, he tells you everything before it happens, and yet when the time finally comes you still find yourself completely drawn into the moment. That takes skill. The rest of the book follows the lives of Ruth, her parents, and Eddie, the teenage assistant. One of the things that intrigued me the most is Irving's descriptions of the types of writers that Ruth, her parents, and Eddie are, or become. There's a lot in there that seems like it must be autobiographical to some extent, which is ironic in light of the fact that Ruth, herself, disdains autobiographical fiction. I'm not sure what else I could talk about that wouldn't give away too much of the plot--and in a John Irving novel the plot is what drives the book--but suffice it to say that it was a great read.

Started: 10/11/2004 | Finished: 10/23/2004

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Before I say anything else about this movie, let me offer one piece of advice: don't sit too close to the screen. I was in the second row, and between the hand-held camera, the frenetic action and cutting, and the frequent close-ups, it made the film difficult to watch. There. Now that that's done, let's talk about the rest of the movie. Friday Night Lights is one of the best sports movies I've seen. In a way, though, it's not even really about the sports. Well, that's a little misleading. It is a football movie, but it's much more about the town of Odessa, Texas and the way in which the town's obsession with high school football affects the people in it than it is about the sport itself. In that way it's a little like Varsity Blues, but where Blues is funny, Lights is gritty. Everything about the movie enhances that effect. The film is grainy, the camera is shaky, and the performances are so natural that you can even forget that you're watching actors. If you're looking for a movie that's uplifting or heartwarming or fun then this one isn't for you. But if you want a serious movie, a great movie, check this one out.

Viewed: 10/15/2004 | Released: 10/5/2004 | Score: A

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How can I describe I Heart Huckabees? I could tell you that it's about an existential detective agency, but that's a little inaccurate, and, besides, it's more confusing than revealing. It's a film about connectedness and separateness and people trying to understand. That makes it sound serious. In a way, it is, but it's also ridiculous. It's a silly movie that will make you laugh. I Heart Huckabees was written and directed by David O. Russell, who also wrote and directed Three Kings. You can see some similarities in the directing style, but the subject matter in this one is much more off-the-wall. The acting was, across the board, excellent. I always enjoy Naomi Watts and Dustin Hoffman, and Jason Schwartzman and Lily Tomlin were also fun to watch. Surprisingly enough, Mark Wahlberg was also very good. In fact, I think this role was perfect for him. It's a weird movie. I loved it.

Viewed: 10/9/2004 | Released: 9/30/2004 | Score: A

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I both enjoyed and didn't enjoy this book. Ross' story shows us the world of the Big Sur coast as it was in the mid-nineteenth century. Life is hard, but the land is beautiful. We follow the main character, Zande Allan, through the changes his life makes when he marries his mail-order bride, Hannah. On the one hand, the story resonated with me in much the same way that Steinbeck's works do. I have spent a lot of time in Big Sur; I've even lived there a couple of times. So, as I made my way through Stranger, much of description was familiar to me and made me feel connected to the story. On the other hand, I don't know that I really cared for the story or the way it was written. Ross wrote the story in the first person and so decided to write her prose as Zande Allan would say it. It added to the ambience, but made it harder to read. But even more, I just didn't care for Zande. In some ways his actions and attitudes can be excused as a product of the world he lived in, but even by the end of the story I just couldn't find it in me to like him. Even so, if the character tale was lost on me, I still found the book fascinating as a description of life on the coast.

Started: 9/23/2004 | Finished: 10/7/2004

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I love baseball movies. This one may not have been a Bull Durham, but even so I liked it quite a bit. I think that some people might go see it and be disappointed because it's not as funny as the previews make it out to be. Indeed, Bernie Mac is practically subdued compared to some of his other films. But even though he's not as funny as he could be, Mac manages a surprisingly nuanced performance that, by the end, even managed to get me a little choked up. Really, there's more of drama to Mr. 3000 than comedy, but there are enough laughs to keep the general tone light and the rest of the story works pretty well.

Viewed: 10/2/2004 | Released: 9/7/2004 | Score: B

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This film aims to take you for a ride, and while on a certain level it succeeds, the journey is not as fun and the ending is not as satisfying as other, similar movies. While I disagree with many reviewers who found the film's main idea stupid, it still didn't really grab me. And I left the film feeling a little frustrated that so many of my questions remained unanswered. True, most of my questions were arguably not that important to the main action, but I think most viewers will share my frustration. Another problem I had was that the scenes shot with a hand-held camera gave me a bit of a headache. I'm not a big fan of that particular technique, and unfortunately it seems to be getting more and more widely used. The one particularly good thing about The Forgotten was Linus Roache. His character is listed in the credits as "A Friendly Man," and he managed the perfectly creepy performance.

Viewed: 10/1/2004 | Released: 9/23/2004 | Score: B

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This movie had a lot of potential. I wanted to see a story about the life of a firefighter, about what his life and relationships are like, what his job entails, how he starts a rookie but grows into a veteran. And I did see that, but it just wasn't very well done. The film touches on all of these things, but it never delves very far below the surface. To make matters worse, the ending made no sense. I can't say much more about it without giving too much away, but I just didn't understand the writer's choice of ending; it didn't match the rest of the movie very well. The acting was hit or miss. Joaquin Phoenix was pretty good and most of the other firefighters were fine. Travolta was good in some parts, unbearably cheesy in others. The only performance that didn't work at all was Jacinda Barrett, who played Joaquin Phoenix's wife. It's not that she was particularly bad; she just didn't bring anything interesting to her character. I did enjoy the film, but I won't be looking for it on DVD.

Viewed: 9/30/2004 | Released: 9/19/2004 | Score: C

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What this movie is: quite possibly the most amazing display of computer-generated imagery I've ever seen. What this movie is not: a great adventure film. As I'm sure everyone has already heard, the entire movie was shot in front of a blue screen; all of the sets and locations were computer generated. You could tell that this was the case, but it was very well done. Still, the film didn't really grab me. I appreciated the stylistic elements, but I just didn't get caught up in the action. Jude Law was pretty good and Omid Djalili made me chuckle, but Gwyneth Paltrow seemed out of place to me, except for a few moments of repartee with Law here and there. I did enjoy the movie, but it'll never hold the same place in my heart as, say, Raiders of the Lost Ark.

Viewed: 9/24/2004 | Released: 9/13/2004 | Score: C

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Steve Martin has a real way with words. His first novel, Shopgirl, had a sort of whimsical, lyric quality to the writing that I liked rather a lot. The problem was that the style had the effect of distancing me from the characters. I think Martin has solved that shortcoming in The Pleasure of My Company. It has the same sensitivity, the same dry humor, but it also manages to keep me very close to the main character. It's a very quick read, and the plot is rather sparse, but the character is rich enough to provide substance to the book. The story revolves around Daniel Cambridge and his host of obsessive-compulsive behaviors. But Martin is a skillful enough writer to help you see the person underneath the neuroses. I found myself becoming very attached to the characters in this book, despite the fact that it was so short. Interestingly enough, for most of the book I was able to hear Martin's voice in the prose; this is one of only a handful of books that have ever done that to me. It actually made the book seem more personal, almost conversational. I can't wait to see what he comes up with next.

Started: 9/19/2004 | Finished: 9/21/2004

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