New KTCO: Lilliam Rivera
This week on Keep the Channel Open, I'm talking with YA author Lilliam Rivera. In her young adult novels The Education of Margot Sanchez and Dealing In Dreams, Lilliam tells familiar stories in new ways—instead of a typical teen drama or dystopian science fiction, she centers Latina characters in stories that take on topics like colorism and gentrification. In our conversation, we talked about why she’s drawn to write stories about young people, what it means to buy into the American Dream, and whether violence is actually empowering. Then for the second segment, we discussed Jeanine Cummins’ recent novel American Dirt and the controversy around it.
Here are some links to where you can listen to the episode:
You can also listen to the full episode and find show notes and a transcript on the episode page at the KTCO website.
New KTCO: Philipp Scholz Rittermann
For this week's episode of Keep the Channel Open, I'm talking with photographer Philipp Scholz Rittermann. In his photographic work, Philipp has long been interested in trying to see the impossible, and in his latest series sight • time • memory, he tries to imagine what it would look like if his gaze could encompass more than just the present moment—using a large-scale projector, he projects a landscape image from a previous season onto the same landscape, then rephotographs the resulting scene. In our conversation, we talked about his fascination with time and memory, the pleasure of figuring out the “puzzle” of an image, and what makes an image “successful.” Then for the second segment, we discussed the decline of hand-making in our culture, the nature of authenticity, and the emotional impact of change.
Here are some links where you can listen to the episode:
You can also listen to the full episode and find show notes and at transcript at the episode page on the KTCO website.
New KTCO: Paula Riff
For this week's episode of Keep the Channel Open, I'm talking with photographic artist Paula Riff. In her work, Paula combines the cyanotype and gum bichromate processes to create unique photograms like the one you see above. The work is bold and colorful, and pushes the boundaries of the photographic medium. In our conversation we talked about her process, how she thinks about photography, and the autobiographical nature of her work.
Here are some links to where you can listen to the episode:
You can also listen to the full episode and find show notes and a transcript on the episode page at the KTCO website.
New KTCO: Rakesh Satyal
Happy New Year! For the first KTCO episode of 2020, I'm pleased to share my conversation with writer and editor Rakesh Satyal. Rakesh’s novel No One Can Pronounce My Name was an utterly delightful read, subverting the stereotypical tropes of the immigrant story with humor and empathy to create something wonderfully unexpected. In our conversation, Rakesh and I talked about expanding the notion of what kinds of immigrant stories can be told, using humor to create connection, and writing toward what you want to know. Then in the second segment we talked about ASMR.
Here are some links to where you can listen to the episode:
You can also listen to the full episode and find show notes and a transcript on the episode page at the KTCO website.
New KTCO: Ashly Stohl
It's funny, so often I find myself going to an artist's or author's website and getting irritated that there are no recent updates about their work, no news about new publications, no links to interviews or press coverage. These are things that I am always looking for when I'm doing research for an upcoming podcast episode or even when I just want to do a deep dive into the archive of an artist I admire. And yet, of course, on my own website the blog languishes for months at a time with nary a whisper of the things I've been up to. Presumably, if you're bothering to look at my website, you'd want to know what I'm doing, yes? So I'm going to try to commit to more regular updates.
Speaking of which, there's a new episode of Keep the Channel Open up today, featuring my conversation with photographer Ashly Stohl! I've long admired Ashly's work and not only because we both make images of our families—she brings a visual aesthetic to the genre that I don't often see, more influenced by street and documentary photography than by portraiture. And humor! So often that's missing from personal work, or just art in general. We talked about her books Charth Vader and The Days & Years, about artistic collaborations, about how to sequence a photo series, and about the difference between New York and LA. I hope you enjoy it!