"You know, one thing that I don't love about a lot of the pictures you've been taking of Eva is that she's got her pacifier in her mouth in almost every one."

"Well, yeah. She has it in her mouth in the pictures because that's what she looks like right now. She just has it in most of the time."

"Maybe we need to work on that."

"Yeah, I guess we do."

Office life is so very, very stimulating.

Playing in that Exersaucer is hard work—sometimes you need to take a little break and put your head down.

I sure hope the next place we live—wherever and whenever that might be—gets light like this in the mornings.

Popcorn stains on his lap (we had just gotten out of a movie), scuffed up knees, midriff bared by his raised arms, stern visage. Yep, if he says he's Superman, it's good enough for me. (The curl on his forehead, now that's just the icing on the cake.)

I keep looking at this picture—or rather, the pictures in this picture—and thinking, "Look at how young they are." By the time I met my stepfather's parents they were already old. In the years since, his father has continued getting older and his mother has passed away. But in that portrait they'll always be young.

Back when I was pretty fresh out of college and the world of Internet forums still felt new and fun to me, I had a woman insist to me that photographs steal your soul. It didn't occur to me until an embarrassing number of years later that she might have been pulling my leg a bit—I suppose this may have something to do with why so many people thought (think) that I didn't (don't) have a sense of humor. In any case, I answered her seriously.

"How can a photograph steal your soul?" I asked. "Especially a digital photograph. All it is is a bunch of ones and zeros that describe something about some light that bounced off of you." I just didn't get it. I was very earnest—I think she was probably smiling at me. (Not laughing, just smiling—she had (has) too much class and style to laugh at someone's naiveté.)

And yet, somehow, the longer I live and the more photographs I make, the more it starts to make sense. Because what's a soul if not the thing that makes you you? The million little pieces of yourself, the looks, the gestures, the angle at which he cocks his head when he asks a question, or the way her nose crinkles when she smiles. It's not stealing, exactly, because you can't steal something without diminishing the one from whom you steal it. But something gets caught, captured, made permanent by the camera.

I find myself looking at this picture and wondering what these two were like when they were that age. There's something in their eyes that hints at something, but I don't know what. All I can think about is how young they look. And then I wonder who will be saying the same thing about that picture of Jason. Who will be saying it about me? And will we be around to know? If we're lucky, some day someone will say it about all of us. Or, at least, about the bits of our souls hanging around in the corners of someone else's dining room.

Jason is walking over to pick up that big rock so he can throw it. Just so you know.

The jelly beans go in there.

"Daddy, daddy, look at this!"

"OK, what do you want me to see? Oh, OK. You're making... dirt angels. That's very nice. But I don't think Mommy would like you to be getting that dirty."

We keep telling him not to play in the blinds. I guess the message gets a little diluted when I stop to take a picture first, though.