Hey, Its Me: Episodes 4 and 5
Rachel and I are trying to commit to a two-episode-per-month schedule for Hey, It’s Me, and so far it’s going pretty well. For our first episode in August, I asked to talk about Star Trek, and particularly what it was about the more recent series that didn’t really feel like Star Trek to me, even though I have been enjoying them. As always, we wandered a bit far afield from that premise, to conversational spots including Star Trek as personal foundational text, cozy fiction, optimism vs. hope, and the cultural role of motherhood.
For our second episode, Rachel sent me the first section of her novel-in-progress so that we could discuss it. If you’ve been listening along, you’ll have heard us mention the novel a few times before, but one piece of context that might not have gotten mentioned is that the book’s main character is named Rachel Zucker, and another major character is named Mike and talks exactly like me. As many of our episodes do, this one does get a bit meta. But I think that there’s also some really interesting discussion about the art-making process, not to mention that the dynamic between two friends trying to talk around and into a sort of challenging topic. I am really interested to know how this episode in particular strikes listeners.
New KTCO: Rachel Lyon
I’m pleased to welcome writer Rachel Lyon back to KTCO for a conversation about her latest novel, Fruit of the Dead. It’s a compelling and (I thought) chilling contemporary retelling of the Persephone myth, told from the perspectives of Cory, a young woman seduced by extreme wealth and privilege, and Cory’s mother, Emer, who has to go looking for Cory after she seemingly disappears one day. The story is about addiction and sexual assault, about power and class, about mothers and daughters, and about what it means to have agency and to come of age. I thought it was incredible.
Hey, It's Me
My friend Rachel Zucker and I launched a new podcast this month, called Hey, It’s Me. As longtime listeners to Keep the Channel Open may know, both Rachel and I have been interviewing artists and writers for many years on our respective podcasts, but we both wanted a place to talk about stuff that didn’t fit into those shows. This new one grew out of the conversations we’ve been having via WhatsApp voice messages for the past few years. The show is, in one sense, a chat show in which we discuss topics from podcasting to pop culture to relationships or whatever life brings us. But it’s also a show about friendship, specifically our friendship, how we talk with each other about ourselves and each other, how we show up for each other, how sometimes we fail to connect and have to work through that. It’s a really intimate experience, making this show, and I’m interested to know whether it’s of interest to anyone else.
Here are some links you can use to subscribe and listen to Hey, It’s Me:
You can also find full episodes and more info about the show on our website at heyitsmepodast.com
New KTCO: Amanda Marchand
I had the pleasure of being in the audience for Amanda Marchand’s Second Sight lecture at this year’s Medium Festival, back in May. I was, of course, immediately struck by the simple and elegant compositions of her lumen prints (an example of which is shown above—her image “Roseate Tern”), but it was her process that truly fascinated me. I’m always interested in the separation between what can and can’t be seen in a photographic image, and in her Lumen Notebook series, Amanda mostly uses books to create the photograms. And not just any books, but specific books that have specific meaning to her. It turns out that both she and I have a fascination with the way that language and image interact, so it was a real treat getting to pick her brain for this episode.
Here are some handy links for the episode:
In the course of our conversation, we mentioned several of Amanda’s books, which you can purchase:
- The World is Astonishing with You in It (2021, self-published, contact artist to purchase: amandabethmarchand@gmail.com)
- Nothing Will Ever Be the Same Again (2019, Datz Press)
- Night Garden (2015, Datz Press)
Some additional resources you may enjoy in conjunction with today’s episode:
- Amanda’s Medium Festival lecture is a great overview of her work and process.
New KTCO: Sarah Hollowell
I have been a big fan of Sarah Hollowell both as a writer and as a person for many years now. She's one of my favorite presences on Twitter and with the publication of her debut novel, A Dark and Starless Forest, she's become one of my favorite YA writers as well.
There's a lot that I love about the book. Sarah excels at creating an atmosphere of magic that is full of wonder while also feeling eerie and dangerous. In terms of representation, this book also features a fat protagonist as well as queer characters, which I very much appreciate in a YA novel. Mostly, though, it's just a well-paced and extremely satisfying story.
In our conversation, Sarah and I talked about her writing process, about abuse dynamics, about fan fiction, and about how she engaged with anger and violence in A Dark and Starless Forest. In the second segment, we talked about the Alpha Young Writers Workshop, how it was such a formative experience for her and why she loves working with teens. I hope you enjoy the episode!
Here are some handy episode links:
And some purchase links for the book! As always, I recommend picking it up from your local independent bookstore, but if you don't have one of those available, here are some other options:
Some additional resources that you might enjoy in conjunction with today's episode:
- Sarah's short story "Crow's Eye" was featured in episode 2 of LikeWise Fiction. It's a great example of her short fiction and has a very similar style to A Dark and Starless Forest.
New KTCO: Ayesha Raees
When I first started reading Ayesha Raees's debut book of poetry, Coining a Wishing Tower, I had a certain feeling of being unmoored. The form of the book (fragments that might be fable or might be prose poetry) and the tone (which varied between the fragments, some strange and Borgesian, others quite concrete) all contributed to that. But the further in I got, the more it began to cohere into an experience that, if I couldn't fully articulate what it was doing or how, was nevertheless potent and resonant. What was clear at that point was that this was a book that I'd need to return to more than once, and which would reward me if I did with new insights. That turned out to be entirely true, and I discovered threads about loss, about grief, about religion and ritual, about belonging and separation, and of a certain optimism in the face of devastation. Needless to say, I was pleased to get to talk with Ayesha for this week's episode.
Here are some handy episode links:
And some purchase links for the book! As always, I recommend picking it up from your local independent bookstore, but if you don't have one of those available, here are some other options:
Some additional resources that you might enjoy in conjunction with today's episode:
- This interview at CutBank between Ayesha and Josh Wagner was an interesting starting point for me in thinking about how I wanted to approach my conversation with her.
- Ayesha's Vimeo page has a number of examples of her hybrid work, combining image, text, and sound for a fascinating artistic experience. I particularly recommend her four-part video "A Manual (or memoir), For Learning (or knowing), About a Tentative (or fleeting), Ticking thought Machine (or being)."
New KTCO: Anahid Nersessian
I tend not to read a whole lot of nonfiction books—for the most part, if I'm going to read criticism then I tend to read it as separate essays, and usually online. But Anahid Nersessian's Keats's Odes: A Lover's Discourse was such an edifying and resonant experience to read. Not only did she teach me a lot about a set of poems that I hadn't thought about in years—John Keats's Great Odes—but moving through the essays in this book is a personal narrative about a relationship that, although oblique, I found both emotionally moving and intellectually fascinating, particularly in how that personal narrative functions with the more straightforward critical portions. I really enjoyed having this conversation with Anahid, and I hope you enjoy it, too.
Here are some handy episode links:
And some purchase links for the book! As always, I recommend picking it up from your local independent bookstore, but if you don't have one of those available, here are some other options:
Some additional resources that you might find interesting in conjunction with this conversation:
- Anahid has a new piece out in the New York Review of Books, titled "Catastrophic Desire," which is about the Iranian poet Forough Farrokhzad.
- This conversation between Anahid and her friend, the actor Zoe Kazan, about the book was one of the first sources I checked out to help shape this conversation, and I thought it was pretty enlightening.
- Similarly, this conversation between Anahid and Michael Robbins was very useful.
- I also very much enjoyed reading Anahid's NYRB piece "Love for Sale," about Eva Illouz’s The End of Love. Reading someone's critical work, I find, always gives an interesting perspective into how they think.
Happy listening!
New KTCO: Anahid Nersessian
I tend not to read a whole lot of nonfiction books—for the most part, if I'm going to read criticism then I tend to read it as separate essays, and usually online. But Anahid Nersessian's Keats's Odes: A Lover's Discourse was such an edifying and resonant experience to read. Not only did she teach me a lot about a set of poems that I hadn't thought about in years—John Keats's Great Odes—but moving through the essays in this book is a personal narrative about a relationship that, although oblique, I found both emotionally moving and intellectually fascinating, particularly in how that personal narrative functions with the more straightforward critical portions. I really enjoyed having this conversation with Anahid, and I hope you enjoy it, too.
Here are some handy episode links:
And some purchase links for the book! As always, I recommend picking it up from your local independent bookstore, but if you don't have one of those available, here are some other options:
Some additional resources that you might find interesting in conjunction with this conversation:
- Anahid has a new piece out in the New York Review of Books, titled "Catastrophic Desire," which is about the Iranian poet Forough Farrokhzad.
- This conversation between Anahid and her friend, the actor Zoe Kazan, about the book was one of the first sources I checked out to help shape this conversation, and I thought it was pretty enlightening.
- Similarly, this conversation between Anahid and Michael Robbins was very useful.
- I also very much enjoyed reading Anahid's NYRB piece "Love for Sale," about Eva Illouz’s The End of Love. Reading someone's critical work, I find, always gives an interesting perspective into how they think.
Happy listening!
New KTCO: KTCO Book Club - Piranesi (with Maggie Tokuda-Hall)
For our first KTCO Book Club episode of the year I'm joined by writer and podcaster Maggie Tokuda-Hall to discuss Susanna Clarke's novel Piranesi! I was a huge fan of Clarke's first novel, Jonathan Strange & Mr. Norrell, and had been meaning to read Piranesi since it first came out, so I was delighted that Maggie picked it for our conversation.
Here are some handy episode links:
And some purchase links for the book! As always, I recommend picking it up from your local independent bookstore, but if you don't have one of those available, here are some other options:
Finally, a few other tidbits you might find interesting in association with this episode:
- You can find information about all of Maggie's books at her website, prettyokmaggie.com.
- Maggie's podcast Failure to Adapt with comedian Red Scott is a hilarious show about stories that have been adapted from one form to another. If you’re looking for a place to start, I’d suggest either the first episode—the Twilight episode with guest Sarah Gailey—or the recent Princess Bride episode with guest Chris Sarandon.
- I read a whole bunch of reviews of Piranesi in preparation for this conversation, and the one that stood out to me the most for its depth and insight was Abigail Nussbaum's review for her blog Asking the Wrong Questions.
Happy listening!
New KTCO: Yanyi
We're back! For our first episode of 2022, I'm talking with poet Yanyi. There’s a way in which the end of a serious relationship can shake your entire concept of yourself, and through your grief you have to find yourself again. Yanyi’s latest book of poems, Dream of the Divided Field, braids poems about heartbreak and implied emotional violence with poems about transition and immigration. Each has a similar but distinct sense of a loss of self, a search for self, a yearning for connection and belonging, a sometimes violent disconnection—to a partner, to a place or culture, to oneself and one’s own body. In our conversation, Yanyi and I discussed his book, deconstruction and reconstruction, attachment to nuance, and the relationship between beauty and violence. Then for the second segment, we talked about grief.
Here are some links where you can listen to the episode:
You can also listen to the full episode and find show notes and a transcript at the episode page on the KTCO website.
Toward the end of the first segment, Yanyi and I talked about the ways that Dream of the Divided Field is different from his first book, The Year of Blue Water. If you'd like to hear more about that book, check out our first conversation from back in 2019.
Dream of the Divided Field is available for purchase now and you can find it wherever books are sold. As always, I encourage you to purchase a copy from an independent bookstore, like The Book Catapult here in San Diego.