I seem to be in quite the lazy streak lately. In fact, I'm not even sure this movie is still playing. On the off chance that it is and you're thinking about seeing it, I should warn you that it's not quite what the previews make it out to be. On my way in, I was expecting an absurd sort of comedy in the vein of The Royal Tenenbaums. It might have been just that except for one thing: it's based on a memoir. A lot of scenes that might have been funny were instead made kind of horrifying by the idea that they could actually have happened. So despite the fact that I did laugh a few times I actually spent most of the movie cringing. Moreover, apart from the shock value I didn't think there was much to the story. The performances were mostly adequate and while Annette Bening did a brilliant job of portraying the protagonist's psychotic, narcissistic mother, her excellent performance made her that much more difficult to watch. On the strength of Bening's performance I expect there will be some Oscar buzz, but apart from that I don't know that I can really recommend this one.

Viewed: 2006-10-26 | Released: 2006-10-19 | Score: C

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If this book had been entirely fictional, I would have found it very moving. The fact that it's an autobiography leaves me a little confused. On the one hand, I found a lot I could relate to in the story Obama tells of his life. At the same time, the cynicism I've long felt toward politics and politicians predisposes me to distrusting it. It really did resonate with me, though. The more obvious part that drew me in was the portrait of a young man coming to terms with his mixed heritage. What really struck a chord with me, though, was the search for the stories of his own past. Reading about Obama's discoveries about his father made me think about how little I know about my own parents' lives. Even the parts that I was around for meant something different to me than to them. It's a strange thing to think about, that as familiar as the people in my life might be, I really hardly know them. So I think I can say that more than anything I've read in a long time I found this book inspiring.

Started: 2006-10-05 | Finished: 2006-10-24

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If you're only going to see one movie this year about turn-of-the-century stage magicians, see this one. It does have a lot in common with The Illusionist. Both movies feature beautiful period settings, solid performances, and one actress who is very attractive but not very good at acting (The Illusionist's Jessica Biel and The Prestige's Scarlett Johansson). The big difference is that The Prestige has enough story to drive a two-hour movie without dragging, whereas The Illusionist does not. Plot is so crucial to this kind of movie. No matter how good the performances are, a movie with a bad, slow, or transparent plot won't have the audience talking about it afterwards or seeing it again to catch everything they missed the first time around. The Prestige delivers on this front and sustains it with an excellent performance by Christian Bale (as well as some good ones from Michael Caine and Hugh Jackman).

Viewed: 2006-10-21 | Released: 2006-10-19 | Score: B

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It's been 18 days since I saw this movie; I think that qualifies as the latest I've ever been with a review. Just to allay any possible suspicions, the delay was entirely due to my own laziness and had nothing to do with the film. After Garden State fans lauded Zach Braff as the voice of his generation, so it comes as no surprise that there was a lot of buzz surrounding this one. Some people expected something huge, some figured that he wouldn't be able to manage it a second time. Which one did it end up being? Well, I'm not sure. It turns out that The Last Kiss has a lot in common with Garden State. Both are coming-of-age stories and both, in my opinion, show a certain amount of self-deceptive immaturity. The difference is that Last Kiss is about a slightly later stage of life—the beginning of family life instead of first independence. Garden State had the sense of reaching for profundity that brought to mind late night talks I had with my friends in high school and college, talks that seemed full of wisdom at the time but that the clarity of hindsight shows were actually naive. And that naivete made Garden State's immaturity kind of cute and fresh. By contrast, Last Kiss seems like it should be old enough to know better. In some ways, though, that may actually work in its favor, since it kind of goes along with the age group it depicts. Will this one turn out to resonate as well with the early-30s crowd as much as Garden State did with the twenty-somethings? Only time will tell, I suppose. In any case, I think I'd be remiss if I didn't mention the excellent cast. I imagine most people will have gone to this to see Braff, but in my mind the real standouts were Jacinda Barrett and Tom Wilkinson.

Viewed: 2006-09-15 | Released: 2006-09-14 | Score: B

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We haven't seen two movies on the same day since the spring, when we went to the Newport Beach Film Festival, but we just couldn't make up our minds whether to see The Oh in Ohio or Trust the Man. Interestingly, both films deal with sex and infidelity, though where The Oh in ohio is more of a cute, fairy-tale-ish movie, Trust the Man is a bit more serious. Not to say that it's particularly heavy or anything—it's definitely got laughs. It's just that the relationship troubles in this one are given more weight. I think that's because Trust the Man is primarly concerned with relationships, whereas The Oh in Ohio was really just about an individual character. I was initially intrigued because the film pairs Maggie Gyllenhaal and Billy Crudup in one of the two couples that the film follows. (The other is played by Julianne Moore and David Duchovny.) I nearly always like Gyllenhaal so it's no surprise that I thought she did well in this film. I did think the role was a bit of a departure for her—I tend to think of her in roles that play up a liberated or driven aspect, whereas her character in this one was more nice, even a little naive. Crudup is an actor who I've come to respect enormously. I think it may be that you need to see him in multiple films to really appreciate his talent. He has a wide range but never "steals" a scene. Rather, every performance just works. It's pretty impressive. Anyway, I didn't really love the story but the performances were solid and the dialogue was good with some spots of excellent.

Viewed: 2006-09-09 | Released: 2006-08-17 | Score: B

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Juliette and I first heard about The Oh in Ohio at this year's Newport Beach Film Festival. For whatever reason, we didn't end up seeing it then even though we were both somewhat intrigued by its blurb in the program. The film centers around Parker Posey's character, Priscilla, a successful Cincinnati business development executive who has never had an orgasm. While the film doesn't cover any new ground in terms of comedy or personal discovery, I enjoyed it for being cute and perky. (Incidentally, that also describes Posey's performance pretty well.) A lot of the dialogue was kind of stilted, but it didn't really bother me much. In fact, it might have even made the film a little more endearing—it felt a little amateurish, but in a personal kind of way, if that makes any sense. The downside was that the same unpolished nature of the script made for a final product that lacked focus. There was a pretty large plotline that followed Paul Rudd—who played Priscilla's husband, Jack—out of the depression brought on by his perception of not being able to please his wife. It could have worked, but partially because the film doesn't set Jack up as a particularly sympathetic character and partially because Mischa Barton can't act, the whole thing just felt extraneous. Even so, I'm still glad I saw it—it's nice to take in lighthearted stuff now and then. Keeps you from getting too jaded.

Viewed: 2006-09-09 | Released: 2006-03-29 | Score: B

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I had really high hopes for this one. Edward Norton is one of my favorite actors. Add Paul Giamatti and Rufus Sewell (who I quite liked in Dark City) as co-stars in a movie about intrigue and stage magic in turn-of-the-century Vienna and it seems like it would be right up my alley. Unfortunately, The Illusionist was hampered by two big problems: Jessica Biel and poor pacing. The Jessica Biel problem is simple enough: she's really bad at acting. That's not such a big deal with something like Seventh Heaven, but when a big part of the story relies on the audience being invested in her character's relationship with the title character, well, it's not good. The pacing seems to me to have arisen in the transition from short story to film. I think the original story was probably quite good, but there were several stretches of the film that really dragged. My guess is that those parts were covered as narrative between scenes in the short story, but there just wasn't a very graceful way to do it in film and I found myself getting bored. Still, The Illusionist has been getting pretty good reviews, so you may want to make your own decisions on this one.

Viewed: 2006-08-18 | Released: 2006-04-26 | Score: C

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I'd been looking forward to this one since I first saw a preview for it several months ago. Between The 40-Year Old Virgin and The Office, Steve Carell has been comedy's "it" boy lately and I have been consistently impressed by his work. I figured that Little Miss Sunshine would be a chance to see more of his dramatic side since the trailer had a much bleaker outlook than most of his previous work. It came as a surprise, then, that this movie was so funny. In fact, I think that this may very well have been the funniest movie I've seen so far this year. Carell's role was much more subdued than fans of his may be expecting, but it worked well in two ways. First, it allowed him to show off more of his acting chops. Second, it provided space for Alan Arkin to really cut loose. You know, I don't think I've ever disliked an Alan Arkin performance. The man is just brilliant, equally comfortable with comedy and drama. I thoroughly enjoyed this film and, what's more, I think it may just have the potential to become this year's indie hit.

Viewed: 2006-08-16 | Released: 2006-07-25 | Score: B

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The short review: I was absolutely riveted by this book. Rather than being a complete history of the 442nd Regiment and 100th Battalion, Just Americans focuses on the formation of the units and the way that their actions in the Southern France campaign of World War II helped to end the internment of Japanese Americans back home. As a part of that Asahina examines the political motivations for and consequences of the internment, as well as an appendix that attempts to address some of the issues of revisionist history and the current state of the civil rights movement. I'm not sure I completely agree with everything Asahina says, and certainly fans of FDR will be struck by his scathing attack of New Deal social policies, but at the very least it's food for thought. That covers the intellectual part of my reaction. A more detailed discussion of the more personal part will follow in the Useless Opinions section.

Started: 2006-07-29 | Finished: 2006-08-03

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I've liked everything I've read by Steven Brust, so the fact that I liked this one as well is no surprise. Just like the rest, Issola was a quick read, full of action and sarcastic wit. Brust has a real knack for characterization—not only have I enjoyed the recurring lead characters throughout the series, but he also brings in new ones with each installment, or expands on smaller characters from previous novels, that also get to me. It's that skill that makes the poignant ending of Issola effective—much in the same way that it did in Teckla and Athyra, two of my favorites in the series. I'm looking forward to the next one.

Started: 2006-07-26 | Finished: 2006-07-29

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